12 Point Guide - Second Edition
ISBN: 1842851314
April 2008
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12-Point Guide to Writing Romance, Second Edition

NEWSFLASH - Kate Walker's 12-Point Guide to Writing Romance (First Edition) received the CataRomance Reviewers Choice Award Best Book for Writers 2004.

Description

The first edition of the 12 Point Guide to Writing Romance is now completely sold out. But I've now brought out a new, revised and expanded 2nd edtion of this best-selling book.

Some of the information in the original editon needed updating - for example, there were the names of some lines - Mills and Boon 'Tender Romance' was back to being just Mills & Boon Romance. And Silhouette Romance had merged with that line to be Harlequin Romance.

Then there was the Modern Extra line which is now selling as Modern Heat . . . Nothng stays exactly the same in romance publishing for very long. And that includes the focus of the different lines, there are changes in the guidelines and the things that editors are looking for in submissions.

So obviously it was time to plan a second edition. But I also decided that if I was going to bring out a second edition, it was going to be an improved and expanded new edition as well as a revised one. I know a lot about writing romance but there are some things that only the authors who write for specific lines really know about.

And so I decided that the best way to make the book even more helpful would be to include advice from the horses' mouths so to speak. Only I didn't call it that - I called this new section From The Authors' Desks. I sent out questionnaires to lots of my wonderful friends who write romance for many different lines - and 21 of them answered.

So I'm thrilled to be able to say that the new edition is not only revised and updated, it also has this 40+ pages extra with advice and tips from 21 currently published authors. Authors like Michelle Reid, Anne McAllister, Sandra Marton in Presents, Liz Fielding, Natasha Oakley, in Romance, Trish Wylie and Julie Cohen in Modern Heat (Trish in Romance too!) - and Kate Hardy in Mod Heat and Medicals - along with Gill Sanderson and Margaret McDonagh. And in Historicals there's Nicola Cornick and Michelle Styles . . . and that's only as a taster. There's also Holly Jacobs from Harlequin Everlasting - er - Superromance (see there's another of those lines that came and went) and Yvonne Lindsay from Desire. Hopefully, whatever line you're aiming for you'll find something to help you there.

The second edition is on sale on Amazon etc - see the links on the side - or to order from any good bookshop.

The details you'll need are:

12-Point Guide to Writing Romance(Studymates Writers Guides)

By Kate Walker

2Rev Ed edition Pub April 8th

RRP: £10.99

Publisher: Studymates Ltd

ISBN: 978-1842851319

In America you should be able to order it from Barnes & Noble, Borders, Chapters/Indigo - just tell them to order it through Transatlantic Publishers.

More About The Book

If you want to write romance and be a professional writer then this book is a must for you. Kate Walker sells hundreds of thousands of romance novels every year and is a seasoned professional with over 15 years of successful professional writing experience and over 40 novels, from which you can gain a great deal. Read what Kate Walker has to say and learn from what she tells you and you will be able to write and publish your novels.

The book explains:

  • How to write emotion and create PTQ (page turning quality) in your novels
  • How to create conflict amidst your characters and why it is a major essential component in your novel.
  • Why dialogue is the lifeblood of your knowledge
  • How to make dialogue sound realistic
  • How to make your characters real
  • How to create the required sharp focus on your hero and heroine
  • How to develop supporting characters that work
  • Why flashbacks are important in some stories and how to create them in your novel.
  • Why sensuality is important and how you can develop sensuality between your hero and heroine
  • How to pace the development of the romance that is occurring between your hero and heroine
  • How to write the love scene between your hero and heroine and the importance of 'after'
  • The importance of the hero and his essential ‘vital vulnerability’.
  • The filter role of the heroine for the reader
  • The heroine’s 21st Century response to conflict
  • How to answer the question ‘why?’

This book gives you the essential advice and support in developing your craft. Kate Walker has produced a book that is a must if you want to write romance. Learn from her experience and expertise, enjoy the process of becoming professional and see your books in print. This book will help you on your way.

Reviews for the 12-Point Guide to Writing Romance Second Edition

Vince Mooney, Posted on the eHarlequin.com Community Boards

“Kate Walker’s 12 Point Guide to Writing Romance”

Is Probably:

  • The Best Single Book on Writing Romance
  • The Best Single Textbook For Teaching Romance Writing
  • The Most Useful Book for Published Romance Writers

I must say to start that I’ve taken a very long time to read “Kate Walker’s 12 Point Guide to Writing Romance”. That’s because I can only read large type. I’ve had to read this book very slowly using a magnifying glass. If the book wasn’t so consistently excellent, there is no way I would have finished it. Incidentally, I found it very educational to read a book so closely. It’s like inspecting a house brick by brick.

This is not a typical fan review. It is a professional review. I have been writing nonfiction for thirty years. I’ve written and edited manuals, created correspondence courses, and taught advertising copywriting in college. I run a real estate school so I know the crucial importance of having a good manual for each course you teach. I am also working on a book about the romance genre and have read at least 40 romance writing books during my research. (Some of the best are listed below.)

I found “Kate Walker’s 12 Point Guide to Writing Romance to be unique among the many romance writing books that I’ve read. It is exceptionally well suited for three different purposes.

First, if you were only going to read one romance writing book—to teach yourself how to write at home—this book offers the best coverage. It features many examples, checklists, questions, and, where appropriate, it offers other romance novels that provide additional examples on the romance writing concepts being discussed.

Even more important Kate Walker, like all good teachers, is always pointing out what something being taught does not mean. Knowing what something does not mean is very important to a successful learning experience.

My biggest problem teaching adults happens when the student thinks he or she already knows what you are trying to teach. These students close their minds and fail to learn. For example, almost every student “knows” that the mortgagor is the lender and they are wrong. The lender is the mortgagee. Almost every student “knows” that the broker representing the seller is the selling broker. But they are wrong, he’s the listing broker. The “selling broker” represents the buyer. As Will Rogers once said, "It's what we know that ain’t so that gets us in trouble.”) It is very hard to undue what people “know that isn’t so”.

Kate Walker not only states what a romance term or concept means, she also points out what it does not mean. This is invaluable if you are learning at home without a teacher. It is also invaluable for an inexperienced teacher as it provides excellent talking points to go over in class.

Let me give you an example from the book found in chapter 2 on “Emotion”. After stating what “emotional punch” is, the author goes on to demonstrate what the term does not mean.It does not mean, “just arguing or shouting,” “endless crying,” “wallowing in self-pity,” “it is not manipulative,” “it is not just sentiment” or “cliché”, and so on. This “house cleaning”, as I call it, goes on for pages. Teachers should love this book.

Chapters include: Emotion, Conflict, Dialogue, Focus, Sensuality, Passion, Heroes, Heroines, Characterization and Heroines, Plotting, The Question “Why”?, The Intense Black Moment, The Believable Happy Ending, Practicalities, and From the Author’s Desks (advice from other romance authors). In other words, you are getting the full package here. The book is 265 pages long.

Second: as good as “Kate Walker’s 12 Point Guide to Writing Romance”, is for self-teaching the material, I found it excels as a textbook. I know how important a good manual is to making a teacher’s job easier. An exceptional manual allows the teacher to teach “from the overflow” which greatly enriches the material and makes for a more enjoyable student experience. With a weak manual this valuable time has to be spent doing the job the manual should have done.

I would love to teach from “Kate Walker’s 12 Point Guide to Writing Romance”. The text is very reader friendly. Kate Walker knows how to communicate. The way she wrote this book is going to change the way I write my manuals and courses.

The chapters fully cover the writing concept being taught. Then there is a 12 point checklist covering how you should implement the concepts in your actual writing. Then there are suggested writing exercises and assignments.

Third: experienced writers will find the writing checklists on various topics very useful. There is a saying in advertising copywriting that “professionals do not have to be taught but they do have to be reminded”. I was a very experienced copywriter and taught copywriting in college but I still always used a 500+ item checklist for improving a direct marketing promotional package. Everything we learned from testing direct mail pieces was incorporated in that list. Even the people with the vast experience needed to create the list, used the list.

Kate Walker has many of these checklists. If I were writing a romance novel, I would type all these checklists into a Word document. When I finished writing a chapter (and it was still fresh in my mind), I would run through the applicable checklists as a critique of my work. If I was lacking in an area I could immediately act to improve it. This would be a little like having an experienced editor always available to provide assistance.

Here is a sample of the checklists. Each features 12 questions:

  • Emotional punch
    1. Have I allowed time for my characters to explore their feelings? (11 more follow.)
  • Conflict
    1. Have I a conflict over which is truly worth being at odds? Is it one that really matters? (11 more follow).
  • Dialogue – all the below topics also have 12 item checklists for good writing.
  • Focus
  • Sensuality
  • Passion
  • Heroes
  • Heroines
  • Plotting
  • The Question “Why”
  • The Intense “Black Moment"
  • The Happy Ending

I haven’t read any other romance writing book that I thought would be so useful to a professional writer on an ongoing daily basis.

Unlike some textbooks, “Kate Walker’s 12 Point Guide to Writing Romance”, is written by someone who actually knows how to write. I’ve been reading Kate Walker romances while I’ve been reading this book. This allowed me to observe how well she practices what she teaches. Her own books are the best testimony to her teaching methods and knowledge of the romance novel.

Summary:

If you are going to teach a class on romance writing, you should get a copy of this book before you select a textbook. I have not read another text that does a better job from both the teacher’s POV and the student’s POV.

If you are a home study student who is learning to write romances on your own, this is the key book to read. However, if you are teaching yourself, you really should read many romance writing books. I also strongly recommend that you read "Dangerous Men & Adventurous Women: Romance Writers on the Appeal of the Romance", Krentz and "Writing Romances: A Handbook by the Romance Writers of America" by Romance Writers of America (Organization), Rita Gallagher, and Rita Clay Estrada. Plus as many more as you have time to read. It won’t hurt to read them all.

If you already are a romance author or a mainstream author thinking of writing a category romance, this book is worth the price just to get the writing checklists.

Vince Mooney runs his own real estate school in Oklahoma, he also teaches and writes training manuals.

 

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